《麻花影视mv大全（持续更新）》Amegalithrisesfromasandydesert–orrather,ascalemodelofsuchalandscape.“Iamthearchive”,saysayoungfemalevoicewhileominousstringmusicnailsviewerstotheirseats.ThisopeningsetsthestageforthenarrativeandfigurativelanguageofRithyPanh’sdensemnemonicessaywhichusesstunningdioramastotellatwenty-firstcenturydystopianstory.Afteracenturyofgenocidalideologiesanddestructivespeciesism,animalshaveenslavedhumansandtakenovertheworld.Inawaveofhope,thestatuesofthepasthavebeenremovedbutnewonesarebeingerectedtosuppressthewillofthepeople.Thisisnowaplanetofapes,boarsandlions,andazoologicalrevolutionisreversingandrecreatingtheatrocitiesofthe20thcentury.Asanimalfigureswatchthefilmarchivesofourworld,itfeelsasifLumièrehasbeentransportedintoafilmbyMélièsorWillisH.O’Brien.Weareallwellawarethathistoryrepeatsitselffirstastragedy,thenasafarce.Thetimehasnowcomeforthisfarce,inwhich“politicallanguageinhabitsourdreamsandconsumesus”,toallowthepossibilityofa“gracefulandtenderinsubordination”toemerge.